See a short video on youtube: DANCE ON THE EDGE OF SILENCE
For questions, comments, and / or enquiries regarding presented activities please contact me via contact form below:
EXCLUSIVE ENTERTAINMENT PROGRAMME
A video recording on YouTube: Performance training with an object (2.88 kilogram steel tube)
- Explosive power (speed > load)
- Movement mechanics
- Core stability
- Shoulder control
- Coordination under motion
Artistic Statement / Manifesto
I work within movement as a field of relationships rather than a sequence of steps. My practice is rooted in the continuous act of balancing and rebalancing the body through the dynamic interplay of speed, amplitude, and distance.
Speed is not only velocity, but sensitivity to time—acceleration, suspension, and interruption. Amplitude is not only size, but the elasticity between expansion and contraction. Distance is not only space, but intention—the shifting proximity between body, object, and environment.
Through these elements, movement becomes a living system. Each action generates a response; each imbalance produces a new form of harmony. I do not aim for stability, but for adaptability—an ongoing negotiation between control and release.
Objects are not props, but collaborators. They alter weight, redirect force, and reorganize perception. They extend the body beyond itself and challenge its habitual patterns.
My work invites the body into a state of heightened awareness, where motion is continuously recalibrated. In this space, dance is not performed—it emerges, as a consequence of attention, relation, and transformation.
Structured Training Method
Think of this as a repeatable session framework (60–90 minutes):
Phase 1:
Calibration (10–15 min)
Goal: awaken awareness of the 3 variables
Slow shifting of weight
Gradually increase/decrease speed Expand/contract movement range
Travel short ↔ long distances
👉 Focus: noticing transitions, not positions
Phase 2:
Isolation of Variables (15–20 min)
Train each element independently:
Speed-only
Same movement, different tempos
Amplitude-only
Micro ↔ maximal versions of same gesture
Distance-only
Same phrase, different spatial pathways
👉 Focus: control and clarity
Phase 3:
Interconnection (20–30 min)
Now combine variables:
Fast + small + near
Slow + large + far
Irregular combinations
Introduce instability:
Sudden stops
Direction changes
Uneven rhythm
👉 Focus: continuous rebalancing
Phase 4:
Object Integration (15–20 min)
Use an object (ball, stick, fabric, weight):
Let it lead movement
Let it resist movement
Let it disrupt rhythm
👉 Focus: object as partner, not tool
Phase 5:
Improvisational System (10–15 min)
Set rules:
Change one variable every 10 seconds
Respond to imbalance instead of correcting it
Let failure generate new pathways
👉 Focus: emergence
Movement Exercises
Exercise 1:
The Elastic Scale
Start with minimal movement
Gradually increase amplitude to maximum
Return to minimal
Add:
Variable speed
Changing direction
👉 Builds control over expansion/contraction
Exercise 2:
Broken Rhythm Flow
Move continuously
Interrupt yourself unpredictably
Restart with a different speed/amplitude
👉 Trains adaptability and rebalancing
Exercise 3:
Distance Mapping
Mark 3 imaginary points in space
Move between them:
Direct
Indirect
Interrupted
👉 Explores spatial intention
Exercise 4:
Object Resistance
Hold or interact with an object
Let it:
Slow you down
Pull you off balance
Change your trajectory
👉 Develops responsiveness
Exercise 5:
The Rebalance Loop
Intentionally lose balance
Catch yourself in a new position
Continue from there
Rule: never reset
👉 Turns instability into material
88088.io 